Monday, October 09, 2006

Willard Wigan



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Willard Wigan was born in Birmingham, England in 1957 and is the creator of the smallest works of art on earth. From being a traumatised and unrecognised dyslexic child, he is now emerging as the most globally celebrated micro-miniaturist of all time and is literally capable of turning a spec of dust into a vision of true beauty.

Even he is sometimes at a loss for an explanation as to exactly how he is able to create such treasures. He just gratefully acknowledges that he's been blessed with a God-given talent.

"Peace, appreciation and gratitude are the keys to real achievement and lasting happiness"

Willard can create a masterpiece within the eye of a tiny sewing needle, on the head of a pin, the tip of an eyelash or a grain of sand. Some are many times smaller than the fullstop at the end of this sentence.

"In order to bring it into reality (the physical plane) it is necessary during creation to constantly visualise the work as being successfully completed"

Many are even smaller still, with some being completely invisible to the naked eye yet, when viewed through high power magnification, the effect on the viewer is truly mesmerising. Willard, who is completely self-taught has baffled medical science and been the subject of discussions among micro-surgeons, nano-technologists and at universities worldwide. His work is ground-breaking - partly because of the astounding beauty of vision which challenges the belief system of the mind and partly because it demonstrates that if one person can create the impossible, we all have the potential to transcend our own limiting beliefs about what we are capable of.

He works in total solitude at a quiet retreat in Jersey mainly at night when there is a greater sense of peace in the world and less static electricity to interfere with the immeasurable precision and tolerances required to create the pieces.

The smallest sculptures can only be measured in thousandths of an inch which is why they can sit, very delicately, on a human hair three thousandths of an inch thick. When working on this scale he slows his heartbeat and his breathing dramatically through meditation and attempts to harmonise his mind, body and soul with the Creator. He then sculpts or paints at the centrepoint between heartbeats for total stillness of hand. He likens this process to "trying to pass a pin through a bubble without bursting it." His concentration is intense when working like this and he feels mentally and physically drained at the end of it.

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